debut vinyl release from williams 99¢ dreams. the a1 (the rent) gained notoriety in brooklyn for its clever vocal sampling and one-of-a-kind content, which serves as a commentary on the increasingly tenuous economics endured by a growing cross section the boroughs artistic community. as a tribute to his home city, includes two inspired detroit-style cuts on the flip.

limited hand stamped 7 inch, we can t remember the last time we came across a 7- single of straight-up deep house. certainly, it s a novelty, though there s little novel or cheeky about the two tracks showcased on this diddy, coloured vinyl release from spain s minuendo label. 2deepsoul s a-side, -home-, is effortlessly melodious - a warm, rich and enticing blend of shuffling rhythms, swirling chords and the kind of blissfully electronic melodies that make you want to dance with your eyes shut. there s a more organic and quietly soulful feel about owen jay and melchior sultana s flipside effort, -deserted-. blessed with a delicious double bass line, bespoke keys and a whisper of motor city techno (in terms of the electronics, at least), it s a sublime chunk of sensual deepness.

the mighty bohari return with another in their split-single series, showcasing new and exciting artists. we have no idea who barrut fulsara is and he wont tell us a thing - all we know is that he has been in the game for a long time, and that this new moniker is for his excursions into deeper territory. were just happy he chose bokhari as the outlet. joe europe on the flip delivers the kind of synth-laden quirky house that we love at bokhari and were pleased for this beautiful track to finally see the light of day.

the third release from wavefreform again comes to us from the east, and this time around it marks a reformation of sound for both the label and the artist. half of the long-running georgian duo greenbeam & leon, boyd schidt is a producer with over a decade of work already under his belt whose first releases emerged in 2007. as a solo artist, his career dates to 2010 with digital releases on georgia’s front rec, fvf records, and emote music, and a track on the new vinyl compilation from studio r°. with the hard, broken kick pattern, elevated tempo, and nods to electro, the a-side ‘phantom’, a collaboration with subex, is a change of pace for the artist and the hardest thing yet to emerge from wavereform. dubwise use of effects shows the same hands still at work, but the sound elements, granulated blasts of static and drop-based structure of the track hold strong parallels to the rejuvenated techno sound currently emerging from the uk. the b-side, ‘structure’, recalls the previous work of the artist: subtle, building dub techno rich in detail and with the dancefloor firmly in mind. there is clear experience at work here with his deliberate deployment and manipulation of elements as the track struts along while enveloping the listener in its smaller details. as it pauses and takes an extended breakdown, the details rush forwards, but it finds renewed force to power itself to the close. coming in this case from an established producer with a long history, this kind of control is not surprising, but it is more indication of the riches of the east that have yet to be discovered by audiences worldwide.

for much of the brooklyn duos career, beacon has worked with a kind of effervescent, forward-looking r&b that evokes out-of-body experiences, but with their new l1 ep, the music is anchored assuredly to your flesh, bone, and physical senses.

anthony collins and francis harris keep up the creative pace of their frank & tony project following the recent sprinkles collaboration, and once again a fine selection of tracks from their lp are on offer for deeper, more leftfield kinds of house record bags.love brut is an uneasy burner that uses a minimal amount of elements to create intensity, proving that simplicity is very often the key. the dub mix of resistance is exclusive to the vinyl, and it too keeps a stripped attitude in place with its plain and simple drums peppered with poised melodic content. villa seurat has a fuller range of percussion at work but there are no more fireworks to be found here than there are elsewhere on the ep, appealing to a more subtle kind of taste

limited to 320 numbered copies.
if *the wanderer* was the record that brought romanthonys obscure blackmale label to a wider dj audience, *testify* was the release that cemented its reputation as one of the labels to check for in the us import section. here are brandnew remixes: jimmy edgar, in true blackmale style, takes romans original chops it in his sampler and lays the results over a thundering distortion tinged beat. it is proper raw jacking business, perfect for small dark rooms with a few hundred sweaty bodies. waifs & strays deliver a brilliant modern update complete with an air-punching sax solo (something that was definitely one of the nails in the deep house coffin the first time round and the kind of thing that could get you shot if you used in the 00s). illyus & barrientos deliver what is arguably their strongest remix to date dropping snips of the original over a quite brilliant bassline groove. ed one & boddenalso opt for some bassline action but add in classic organ stabs and todd edwards style vocal chops to their big-ass bass wobbler. lastly, we have the previously unreleased cd#9 vocal version which as usual, features one of romans deeper, more organic mixes.

low-down and dirty jazz goes right back to the early 1900s in storyville, after the bands had played their hot tunes in the evening for dancing couples, the musicians would head off to the after-hours joints and play a less energetic but more bluesy kind of music, enabling them and their late-night audiences to get through to the early hours of the morning without suffering total exhaustion. and nobody in new orleans laid into the blues so low down and dirty as buddy bolden, whose funky butt became a staple in the repertoire of the citys early jazz bands.
jacksonville, florida, 1960. charles hungry williams mentors young clayton fillyau after he had just joined the james brown band: *i dont care where you put it on those drums, remember where 1 is and you ll never lose the time. listen to hungry on huey smiths *talk to me baby* and then listen to how clayton turns it into a relentless breakbeat on james browns *i ve got money*. earl kings *trick bag*, prefiguring the meters, is as good an example of early new orleans funk as can be found.

the ep is called spotlight diktat in reference to the feeling some djs have when they are on tour. a kind of dj melancholia generated by airplanes, dehumanized hotels, waiting hours in boring terminals, basically traveling alone. i made these tracks out of this mood. at first they sounds like the typical groovy dance tracks, but when the melody comes out, you immediately feel there is something wrong now the track is on and you still dance (of course its made for that) but you could almost cry to it too. so this is what happens when a dj or a producer has to do their job, but they aren t really in the mood for it. when the party comes, they just forget everything and make the show happen regardless. they have to bear the spotlight diktat and keep on entertaining people regardless of what they have in mind.

from techno to house and back, or berlin house as pablo likes to call it himself. expect to hear lots more from this super talented producer.

oslo is happy to welcome new artist federico lijtmaer to the family with his wonderful ep impermanencia. inpermanencia on the a-side is a superb deep house track with the right kind of funkyness for the cool. federico combines smooth bass with shifty drums and classy synth action. this track will conjure a smile on your face and we are happy as hell to be able to release this little gem. unselfish on the b-side is as funky as its big brother on the flip-side. a throwback to bygone times in a way, if you consider labels as mosaic or trelik. however, federico definitely succeeded in terms of a modern interpretation. the inclined listener will recognize his musical roots anyway.

hlanganani music is a new label with its roots in south africa and london, focused on bringing international attention to south african artists. hlanganani music, which translates from zulu as come/get together has its first release from zulu artist butiza. entitled baphuma ezulwini (they came from heaven) the track features vocals from butiza in the style of maskanda (or maskandi-a kind of zulu folk and scathamiya as well as remixes from european mainstays, xdb and christian prommer. the project itself best illuminated by hlanganani label heads and south african expats shy & linda aka sahin meyer with the label the goal is to really help all the artists involved and open new doors on both ends. support by: mr g, jimpster, mano le tough, steve o sullivan, dam swindle, auntie flo, ooft, severino, cottam, lo shea, a sagittariun, drums of death, trickski & more.

clear smokey marbled vinyl, written, produced, arranged and engineered by joseph longo iii, pal joey music aka earth people. new york finest joseph longo iii (aka pal joey / earth people) presents an excursions into deep & soulful house and electronica.

echonomist is back on rotary cocktail records this time with vocal support of the amazing black soda from south africa. petros delivers two original mixes which sound like classic inspired detroit tracks with deep basslines, melancholy synths, groovy chords and driving analogue drum machines to provide the perfect soundbed for black sodas distinctive hypnotic vocals. additionally youandme and and.id deliver just the kind of emotional interpretations that touch our souls in the right moments with their beautiful remixes.

flyance records introduce two news producers on board.on the a side, two tracks from the young and talented georgian producer hvl. he gives us some kind of cinematic energy on his deep and acid tracks. on the b side, flyance presents the atmosphere of the mysterious and amazing producers monotix. they drop two dubby and mental tracks. ka one & st-sene presents an experiemental and ambient interlude on a3.

here comes the broadwalk tales remix ep. after the very succesfull broadwalk tales ep and album by fluxion, we now release a remix ep. joey anderson did a remix of the track you dont know and rod modell aka deepchord did 2 versions of the track for you. its the first time joey anderson appears on echocord, and since we are a very big fan of his music this a big thing for us. the remix is a beautifull driving track full of energy, melodies, and power, perfect for the dancefloor, and a typical joey anderson treatment. rod modell aka deepchord did eps and remixes on echocord before, and we always likes what he do. 2 deep floating, almost underwater kind of heavy tracks, beautifull and raw, at the same time.

as bass culture proudly reaches its 40th release, it gives us great pleasure to welcome back john jastszebski after he last turned out an ep for us back in 2012. releases for phonogramme and robsoul in the past two years have confirmed that he is a force to be reckoned with in the booming parisian house and techno scene. his approach on the would be back e.p fits in perfectly with the bass culture aesthetic, delivering tracks with a simple immediacy, always loaded with soul in just the right places, but never shirking the all-important groove. > would be back< s sturdy beat leads neatly up to a colourful burst of piano chords and rousing strings that make this into a perfect summer house cut. > fevrier< comes on with an entirely different season in mind, as mysterious and dubby tendrils of synths and samples unfurl around each other with a distinctly wintry mood. > my girl< meanwhile keeps the energy levels up with a stripped back, punchy beat, filling the space in the mix out with rousing pads that soothe and uplift.for a remix of > would be back<, we decided to turn to a long-time legend of the uk house scene, nail. his remix takes a more emotive approach to johns original, dropping in some playful synth lines and dreamy effects with stunning results. reaching across all seasons, situations and times of day and night, the would be back e.p delivers just the kind of versatile house music that sets our souls alight here at bass culture

thatmanmonkz is certainly enjoying a fine run of form ! heavy duty releases for delusions of grandeur & kolour ltd, alongside a steadily building and essential catalogue on his own shadleaf music label for their fifth outing the label has opted for a split single, with french house royalty ludovic llorca aka art of tones handling a side duties ‘so worried’ marries a spoken word vocal with an irrsesistible clipped organ led and bumpin’ house workout that sounds a lot like fellow frenchman st germain did way back when. monkz handles the flip with the kind of rough and ready sample-house jam the label has championed ‘got to get to’ strings together a handful of live instrumentation & melodies in classic collage style, while the dub strips down and houses up the ingredients for a clonked out finale.

coming from the darkest depths of the south american jungle but raised in the city of utrecht in holland, julian alexander is a name that might not have fallen on many ears as yet but we guarantee you ll be hearing a lot of this 18 yr old powerhouse in the future. with a background in jazz and a trained multi instrumentalist, exploring hip hop and underground house and uk garage, julian soon started to craft a unique style and put his own slap and funk into the mix. focusing on a deep powerful sound with plenty of pound he quickly caught our attention as his meaty, stripped down minimalism explores an even darker chamber of the dungeon . julian s hustlin ep delivers the kind of tracks that keep the floor moving, essential tools that can be the perfect transition or the spark that lights the fuse on on the dance floor. can you believe he made the track undrg at the ripe old age of 16 years old. it really blows our minds to think he made it 2 years ago and it still sounds fresh and futuristic. as with all our releases these jams are tried and tested and proved to be very useful for building the tension and getting those fist pumping. their solid, track, bass heavy vibe will have no problem bothering even the biggest bass bins

waschechter berliner, autodidakt, Übertalent, alles begriffe, mit denen man vauu äußerst treffend beschreiben kann. die debut ep von vauu zeigt deutlich, dass der sympathische junge mann nicht nur sein handwerk versteht, sondern auch eine ausgereifte musikalische vision mitbringt: so eingängige, vielseitige musik, so nachvollziehbare, ehrliche texte, so eine gelungene mischung aus pop-appeal und berliner rap-kante, wie auf blau, hat man lang nicht mehr gehört.

2014 repress with new mastering !! supported by: raresh, laurent garnier, kiki, dj sneak, karotte, lee curtiss, alex kid, jimpster, brothers vibe, etc.. i guess we dont have many words to describe this new esperanza in which we are proud to present on this vibe from the one and only fred p (black jazz consortium) and a delightful remix by sistrums favourite patrice scott. the original track is an amazing late night detroit ride which evolves slowly until it makes you feel floating on clouds. it may last 10 minutes but it s absolutely the kind of track you would want to be endless. on the flipside, patrice makes some twists and turns to the original track to put his own trademark signatures delivering another breath-taking emotional space walk. we are proud to release this record and hope you enjoy it as much as we do!

ayarcana returns to the scene with this release on ier records called warewolfes & warehouses illusion seekers is a burst of techno solid breeze played with a broken pattern, from the beginning to the end, there are some synth on continuous loop that just creating an illusion and a kind of hypnosis. the city of singing flames the drone track of the ep, its a trip to hell.

jordan gcz, aka jordan czamanski, aka jordash from juju & jordash delivers an insane ep for future times! hes kind of untouchable (and certainly unclassifiable) right now.... big tip!

the black key team step up once again, this time with the third in their limited, vinyl-only series, with freerotation resident and established producer, tom ellis, delivering 4 sublime tracks of subtle and hypnotic house music, in the form of the simply titled -limited volume 3-. now undoubtedly an established and respected label, brighton (uk) based black key records are approaching their third year in the business, having released records from the likes of blm, iron curtis, pawas, flori and ugly drums, all of which have gained attention for all the right reasons. here, tom ellis delivers an excellent and intelligent ep, with all 4 tracks displaying the talent this man posses for creating a unique and instantly likeable take on deep house music... the right kind. there is no question that this limited release will appeal to the real heads among us - quality stuff. this ep is yet another statement from the black key camp, proving their worth in true style.

steve frisco, of serie limitee fame, brings us the latest bundle of hot tracks to hit wax classic in 2014. as the title suggests, steve takes us on a journey through low fidelity sounds and production techniques. think dark, moody, yet crunchy basement house tracks with inspiration taken from all over the u.s and the rest of the house world. it’s a generous offering as well. six whole dusty tunes for those diggers who are looking for something with a bit more range than another record of generic piano laden, house-by-numbers pieces that still seem to be flooding the record store shelves in 2014. the moods do vary from track to track, but they remain very reflective and almost melancholic at points. the title track, ‘adventure in lo-fi’, is the deepest of the lot with filtered chords, echoing claps and a sporadic kick pattern that often clears way for the track’s bass hits. now, compare that to ‘da brooklyn beat’. whilst the former had a distinct sunrise/sunset kind of feel to it, the latter is definitely more of a club affair. skippy snare hits and a strong organ lead the track on, and at the risk of utilizing very overused buzzwords such as ‘raw’ and ‘ruff’, this track, and the rest of the a-side for that matter, certainly captures that essence. stalwart wax classic fans will no doubt be picking this one up to add to their collection. however, i strongly recommend this ep as a jumping in point to the label for any newcomers out there

epic sub-driven & upfront dancehall-steppin exceptional riddims, electroid hip-hop and house of the deepest kind produced between 1997 - 2003 by don papa in the underground solitude of moss norway. true in spirit and heart - as well as in groove and bounce. sex tags mania issue 26 represents

the composer and sculptor aaron taylor kuffner is well known for co-creating the gamelatron project in 2008, the worlds first fully robotic gamelan orchestra. his one-of-a-kind creation has been shown in major venues and festivals worldwide, ranging from the smithsonian to fuji rock, and at galleries and festivals across asia, europe, russia and north america.

phantasy are very proud to present a remix of daniel averys *all i need* by a hero of the techno scene, hero of the house scene, hero of the everything electronic scene: herr roman flügel with one of the labels biggest reworks to date. on the flip, chilean sonic soundsmith ricardo tobar takes *these nights never end* and delivers the kind of beautiful, intricate rework that made his recent album treillis such a beguiling trip.

nathan fake and wesley matsell are both producers best known for their releases on border community - nathan fake has been putting out psychedelic permutations on dance music since 2003 for the label, while matsell recently released the blissful total order of being ep for them earlier in 2014. cambria instruments is a new label venture from the pair, and for the first release they have teamed up for a split 12- of kaleidoscopic electronic sounds. nathan fake s contribution black drift starts things off, an initially inauspicious tripping beat gathering momentum and morphing into a far-out piece of fuzzy house underpinned by sunken low-end rumbles. it s the kind of brilliantly wide-eyed track we have come to expect from the producer. over on the flip, wesley matsell s bismuth is a more shadowy, moody affair, a tight techno rhythm holding things together while synths spin wildly. a highly expressive, lysergic trip and one of his finest productions to date. all in all, you couldn t hope for a stronger start from a new label.

there is an alternative reality known as the big funk factory. those unsuspecting travellers who fall into this other place find themselves exposed to many characters and tales from this universe. once inducted into this particular charged vacuum embodiment you have only one choice but to go on and familiarise yourself with the history and people involved in the hope that you ll find a way through to the other side, but beware the experience and sensations may be seductive, you may choose to remain. be aware it is an audio, visual and kind of literate assault on the senses. the beginning in the loosest possible use of the term starts with the creation of the creature known as d-roid. as a new entrant, before conducting yourself through each chapter, perhaps you should familiarise yourself with the characters involved in those disreputable individuals featured in this episode.

3rd release of downbeat black label, the sublabel of downbeat. the owners of the label, jose rico, urtzi and f-on present us two long slow motion tracks with field recordings, whirring melodies and voices from beyond the grave. two dense experiments which show us the less kind side of downbeat and continue along the path opened up by *solaris*. only 200 copies pressed.

as our true fans know, every now and then we leave our comfort zone to bring something else than techno. this season, we gave dib from italy the honor to be the unusual one. three tracks, three times basic, stripped down house that does well as a tool or a track in the early or deep hours of the night. or just for those people working hard at the office and wanting some deep house during their officework. all tracks have a very old skool vibe to it and breathe true deep house: not the filtered down vocal kind, but the breed that just lets a 909, 808 shine and some rhodes or warm analogue synths do the work. the first one is rather detroitish - with a nice acid stab and some strings setting the mood, the second one is more dance floor oriented and the third version is a bit of both. does it need to be said that dimitri andreas mastered it again? and that it is available on vinyl?

universal cave featuring edits of forward, deep & free music for maximum summertime spins. soft rock for hard times, slow grooves for mellow moods and chainsaw euro funk brought to you by disco duos d. lord & werner williams, jaz & party dad, and universal cave. pressed on limited 7 inch vinyl.
*around the bend* is soft rock for hard times brought to you by universal cave. bongos high in the mix, a breezy beginning builds towards guitar glistening over a mega kind groove. a tune fit for hang gliders, rock climbers, and summer sundays. sunsets and sailboats. slow grooves for mellow moods. side bs *riding* is flipside meets ripside, no nonsense shredding over a driving drum beat. long haired beardo disco rock that never quits.

another round from the hound! robert crash again delivers with the kind of house music that was informed by the disco of the past. reconstructed and re imagined off kilter beat tracks, mixers and wacked out cuts that will turn the party out. abstract yet cohesive behind the beat jackers from the crash man! if you missed out on his previous effort, take this as a second warning. heavy duty, stripped down psycho-beat dj fodder ready for the club. truly unique off kilter mixers to slam-jack in the pit to.

nice price deal !!! man invented the machine and from its circuits music with soul was created. > soul machine< is about rediscovering the creative ritual between man and its machines. the man is helder russo and he will drive you through a futuristic motor city soundtrack with an atlantic feeling. > soul machine< is a kind of techno rebel record, in a sense that its not a product of the industry. its rather the soundtrack for an imaginary society, with soul as the unifying element between men and technology. the type of record that mojo could play in his fabled radio show and make people connect through music. in fact this is very much about connecting. with the machines, with sounds and with each other. its about the endless ritual of creation and the challenge to transcend time and leave an inspirational mark. helder russo did his job, now make sure you appreciate the many hidden layers of this special record.

brutkho strikes back on goldmin music with his very first vinyl release incl. remixes from deepa & biri, jan hendez. a very personal and deeply touching deep-techno record that plays with the unexpected without losing sight of the essential simplicity this kind of music needs.

recognition recordings proudly presents the new project on the label -tumult hands! this fairly ambiguous name hides the identities of two experienced producers, totally devoted to their machines - jacek sienkiewicz and jurek prze?dziecki. despite being radically different personalities, and despite huge differences in their way of working, jacek and jurek joined forces to create one of a kind sonic laboratory.

good old aunt frieda likes it colorful, that’s pretty known in all parts of the world since the birth of frieda musik. and even our new children of the family are the same kind of colorful: frivolous is painting in all different colors without wasting any paint. his two originals are pushing with forward-thinking rhythms without forgetting how to get his audience into dreaming through his golden voice and his playful melodies. a very special schmankerl is his lullaby. a little more precise and determined comes dirty doering and sascha cawa’s upside down remix of “for the message” within this package. and not to forget there’s a digital bonus by our boys san marco & don ramon, who tell us: don’t stop mumble, if you wanna get this kind of (zurich)-groove. in our opinion: a perfect ep for endless summer nights.

simon aka birth of frequency is back on board for his second ep on construct re-form. with four tracks he shows us different aspects of his talent as techno maker !! windy city is a relentless acid loop, with straight and sharp rythm parts. the kind of track you can play for a very long time. bad tempered is a proper techno, hypnotic and powerful : perfect to maintain a tangible tension on the dancefloor. huron will complete the destruction with a frantic and agressiv synth / hats duo. newcomer, comes from the ground with a sticky and heavy atmosphere …

after some harder releases on trapez within the last months, alex under focus on his trademark crossover techno, not easy to label into an any specific genre but a sound full of personality. a1. bailar pegados is the kind of track that herbie hancock would have carried in his vinyl case to every club. a2 brings the listener into a robot party at the blue oyster, the club that gives name to track on b side la ostra azul an arpeggiated retro futuristic bomba. 100percent profits of the sales are donated by the cmykmusik foundation to organizations related with children and music.

after the highly anticipated release of his third studio album decay, efdemin presents the first part of a remix series featuring his favourite producers. bristols underground hero asusu inflates the reduced album opener some kind of up and down yes with deepest bass and beautiful scapes to the max in a true photek-style. last years control by staffan linzatti was one of the favourite constants to be played in every efdemin or lawrence set. luckily his version of solaris is another epic hymn here with futuristic enhancements of the third kind.the most extraordinary piece on decay versions part 1 is the borderland states rework of parallaxis. efdemins studio-mate john gürtler recorded that beauty with adding acoustic instruments only and sounds like a meeting of moondog with wim mertens.

4th and final part of this legendary morris audio compilation series bringing some new (origins sound, manooz) and old faces (volta cab, julien sandre), but keeping the house vibe in different shades. up and coming origins sound (glasgow underground, lost) present a bassy pumping uk house tune whereas volta cab (kolour, hypercolour) goes back the the rave days and invites us to some hardcore heaven. the flipside starts with morris audio buddy julien sandre, who is still some kind of secret underground weapon, even if he already released on argys these days label or on tsuba. finishing off the ep is manooz (alive, extended play) with a great deep and raw house tune. this all is for you, seven daze a week!
pressing on translucent green vinyl.

we have taken some time with our sixth release, all the happier we are now to present to you the acoustic listening pleasure. the record consists of 3 tracks which jamy wing has made for us. it goes its way very classically in a technoid 4-to-the-floor kind, but with style and taste

out of the ordinary is a celebration of strangeness. not the outer-worldly strange inventions of our minds, but the kind of strangeness we come across in our every day lives, hidden in the little details.

hot on the heels of edsc 003 comes the 4th release for the manchester born & bred label/clubnight/meeting of minds and what an assault on the senses it truly is! edsc 004 comes from way across the atlantic and is from shadow kids aka mike simonetti (italians do it better) & synth wizard secret circuit. this release truly ticks all the boxes for those that love to go on an epic journey of the cosmic kind and what better way to accompany you on that trip than by having some remix action courtesy of seahawks and ruf dug?

we are glad to introduce this new ep by the french duet acid square dance aka nicolas villebrun (society of silence) and hervé carvalho (acid arab). recorded during jam sessions in paris, here are 3 new killer acid tracks, 2 raw and intense floor burner on the a side, and a kind of deep balearic ballade on the b side.

heavyweight 180 gram double vinyl reissue in gatefold sleeve with download code. audio is remastered from the original 1972 analogue stereo master and cut at abbey road studios.

following up to their much applauded international debut save the youth, denmarks answer to warpaint,giana factory, return with their second album lemon moon this spring 2014. fronted by louise foo (sister of sharin of the raveonettes) and flanked by lisbet fritze (who also plays guitar in the trentemoller band) and sofie johanne, giana factory specialize in a wonderful kind of iced pop, beautiful songwriting with a lot of depth and diy attitude punch.

after releasing one of the most memorable records of the year in 2013, the roman dj returns with another amazing piece of work. the age, on the a side, is an ambient track with psychedelic rock and new age music incursions, showing once again his love for downtempo stuff. orion 314, on the b side, is a slow and straight deep techno train that will not disappear all lovers of this kind of sound.